Good Man Is Hard To Find

Flannery O’Connor "A Good Man Is Hard To Find" A Southern American
novelist and short story writer, Miss O’ Connor’s career spanned the 1950s
and early ‘60s, a time when the South was dominated by Protestant Christians.

O’Connor was born and raised Catholic. She was a fundamentalist and a

Christian moralist whose powerful apocalyptic fiction is focused in the South.

Flannery O’Connor was born March 25, 1925, in Savannah, Georgia. O’ Connor
grew up on a farm with her parents Regina and Edward O’ Connor. At the age of
five, she taught a chicken to walk backwards. O’Connor attended Georgia State

College for women, now Georgia College, in Milledgeville, majoring in sociology.

She had showed a gift for satirical writing, as well as cartooning since she was
a child. By the end of her undergraduate education, O’Connor knew that writing
was her true passion. She spent two years at the prestigious School for Writers
at the State University of Iowa on scholarship, receiving a master’s degree of
fine arts in 1947 (Candee 318). In 1950, she had a near fatal attack of systemic
lupus erythematosus (SLE), a chronic inflammatory connective tissue disorder.
that causes periods of joint pain and fatigue, and can attack the hearts, lungs,
and kidneys. Her father died of the disease when she was fifteen (Blythe 49).

O’Connor would have to walk with crutches for the rest of her life. By her
death at the age of 39, Flannery O’Connor won a prominent place in modern

American literature. She was an anomaly among post-World War II writers, a Roman

Catholic from the Bible–Belt South, whose stated purpose was to reveal the
mystery of God’s grace in everyday life. Aware that few readers shared her
faith, O’Connor chose to depict salvation through shocking, often violent
action upon characters who were spiritually or physically grotesque (Ryiley

334). Flannery O’Connor’s significance as a writer is her original use of
religion. Like no other short story writer, she dramatizes religious themes in
her fiction stories. She is established as one of the most gifted and original
fiction writers of the 20th century. "Everything That Rise must converge,"
and " Revelation" won first prize in the O. Henry awards for short stories.

"The Life You Save May Be Your Own" and A "Circle in the Fire" won
second prize in the O. Henry awards. "The Complete Stories of Flannery

O’Connor" won the National Book Award in 1971 (Bloom 145-146). O’

Connor’s work is inspired by the sense of the mystery of human nature. She
tends to use good vs. evil and death to shock and startle her readers into an
awareness of the theological truth of faith, the fall, the redemption, and the
judgment (Riley 367). Some critics describe her writing as harsh and negative
while people in the religious community wanted a happier communication of the
faith. O’Connor described her characters as "poor afflicted in both mind and
body, with little or at best a distorted sense of spiritual purpose"(Harris
& Fitzerald 336). O’Connor claims she understood the universe created by

God as good and evil. In a letter to a friend, she complained about a review
that called her short story collection, A Good Man is hard To Find, brutal and
sarcastic. "The stories are hard," she wrote. "But they are hard because
there is nothing harder or less sentimental than Christian realism"(qtd. In

Harris & Fitzerald 336). O’Connor likes to focus on the rough, often ugly
memories of the place she knew best, the rural South. She saw her world as
sacrament, brushed with grace, twisted, beaten, but still straining toward her
belief in God. The settings of her stories and novels are either Georgia or

Tennessee, often backwoods or rural areas. She gives her characters a southern
accent because this is the area she knows best. O’ Connor uses common symbols,
such as sunsets that resemble blood drenched Eucharistic host, preening peacocks
that represent Christ’s transfiguration, and the trees themselves writhe in
spiritual agony (Bloom 49). Some critic’s say that she is trying to convert
her readers, whom she assumes are non-believers. The story "A Good Man is Hard

To Find" begins with a family planing to take a vacation to Florida. The
grandmother who does not want to take the vacation in Florida is persuading the
family. She has read about a crazed killer by the name of the Misfit, who is on
the run, heading for Florida. The mambas of her family ignore the grandmother.

On the day of the trip, ironically, the grandmother is